F♯7 — bouzouki chord
Dominant 7th · 8 fingerings for trichordo (D–A–D)
Notes and intervals
F♯7 (F♯ dominant 7th) is built from F♯ A♯ C♯ E: intervals 1 3 5 ♭7.
Fingerings on D-A-D
Frets, low D · A · high D
- Root position: 4-4-2 (F♯ C♯ E)
- Root position: 4-1-2 (F♯ A♯ E)
- 1st inversion: 8-9-11 (A♯ F♯ C♯)
- 1st inversion: 8-4-4 (A♯ C♯ F♯)
- 2nd inversion: 11-9-8 (C♯ F♯ A♯)
- 2nd inversion: 11-7-8 (C♯ E A♯)
- 3rd inversion: 2-4-4 (E C♯ F♯)
- 3rd inversion: 2-1-4 (E A♯ F♯)
Neither open course (D or A) is a chord tone, so every shape is fully fretted.
In the dromoi
The same roles on other roots:
- Hitzaz on B: passing chord (A7 → F♯7)
Trichordo (D-A-D) and tetrachordo (C-F-A-D)
These shapes are for the three-course trichordo. A tetrachordo’s A and D courses are tuned the same, so the top two notes stay put and the low-D bass note moves two frets up the C course. The first shape, 4-4-2 on trichordo, becomes C 6, A 4, D 2 on tetrachordo, with the F course left out.